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-
- LETTER FROM GERMANY No. 2
-
- by
- Frater U.'.D.'.
-
-
- *In these letters I am taking a diachronic look at German
- occultism past and present, mixing current news with historical
- titbits illustrating among other things the strong relationship
- between German magic and the Anglo-Saxon world. (For linguistic
- reasons as well as for convenience's sake I will generally
- include Swiss and Austrian occultism under this heading - no
- imperialist takein intended!)*
-
-
- The accentuation of this second letter will lie on the more
- contemporary aspects of magic in the German speaking countries.
- The pre-war magical setup had been a very lively affair: a
- colorful hotpotch of irregular freemasonry and theosophy; yoga;
- astrology (of an intellectual calibre never surpassed
- internationally since, if we can trust an English expert like
- Ellic Howe); Mazdaznan, a quasi-yogic religious cult originally
- founded by Otto(man) Hanish in the USA, with its myriad of
- dietetic rules and a strong emphasis on physical exercise and
- pranayama, purporting to have derived from Iranian Zoroastrism
- and still rumored to be extant in some of the more obscure
- corners of the Western world; thelemic lodges of the O.T.O., and
- other Crowleyites; the Fraternitas Saturni (FS); the Order of
- Mental Building Masters (under Ra-Ohmir Quintscher), which later
- fused with the FS; a variety of groups (often quite tiny
- organisations with a cultural impact reciprocal to their actual
- size) of the "blood and soil" flavor espousing runic lore and
- racial/Arian mysticism, the most notable being the Guido von List
- Society (which included the Armanen Order) and Jörg Lanz von
- Liebenfels's ariosophic Ordo Novi Templi (Order of the New
- Temple, ONT); plus the usual riffraff aspiring to more or less
- vaguely defined "spiritual" or "esoteric" goals with a strong
- Eastern bias, to name but the highlights of this era.
- With the arrival of Hitler and National Socialist rulership
- all "secret orders", whether genuinely clandestine operations or
- "secret" only by claim, where banned along with political parties
- (barring, of course, the NSdAP) and where consequently deprived
- of all publicity. This process was basically completed by 1935
- with the exception of the astrologers' associations, which in
- 1937 even became part of the workers' union temporarily, until
- they, too, were abolished and persecuted in 1941 following Rudolf
- Hess's misguided flight to England which was purported to have
- been incited by his personal astrological counselor. In a later
- letter I will cover the question of Nazi Occultism in a more
- comprehensive manner. Suffice it here to state that the magical
- scene in Germany and Austria was practically defunct from 1935 at
- the latest and was unable to recover until well after the war
- when the more dire material needs in these devastated countries
- had been coped with.
- Gregor A. Gregorius (1888-1961), the Berlin bookseller whose
- conventional name was Eugen Grosche, had founded the FS in 1928,
- as mentioned in my *Letter from Germany No. 1*. He had been a
- communist of sorts with a one year arrest during Nazi
- dictatorship to prove it. (He had even moved into Swiss exile and
- later went to Italy where he was arrested by the fascists and
- turned over to the German authorities on their categorical
- request. Interestingly enough, his Gestapo arrest warrant
- declares his "contacts with the internationally renowned
- Freemason Aleister Crowley" as one of the prime reasons for his
- internment.)
- Immediately after the war he became a "cultural commissary"
- of the German Communist Party in the then time Soviet Zone (the -
- Eastern - *German Democratic Republic* was only founded in 1948,
- as was the - West German - *Federal Republic of Germany*) but was
- later expelled on reasons of "bourgeois tendencies", a standard
- accusation in Stalinist times.
- He next moved to West Berlin, where he set up a bookstore
- and renewed his international contacts, getting together a number
- of pre-war members and re-registering the FS as a formal
- institution in 1948. In 1950 he started publishing the monthly
- *Blätter für angewandte okkulte Lebenskunst* ("Magazine for
- Applied Occult Arts of Life"), a curious title veiling the most
- comprehensive, extensive and encylopedic periodical on the
- magical arts in Western history. While openly sold in bookstores,
- it was the official organ of the Fraternitas Saturni and included
- inlets (handed out to members only) covering internal affairs
- such as graduations, membership lists, syllabi &c.
- The publication mode of this foretime monthly magazine was
- later changed to bi-monthly appearance and it existed till 1963,
- totalling 164 issues of some 3,500 pages of text and
- illustrations. Gregorius retained editorship until his death and
- it was only in concurrence with internal squabbles and schisms
- within the order itself that it ceased publication two years
- after. It has never been published in English (or any other
- language apart from German, for that matter), though Stephen
- Flowers quotes extensively from it in his excellent *Fire and
- Ice* (Llewellyn Publications).
-
- The English speaking world would really be in for a surprise
- or two should this magazine be published in translation one day.
- True to say, the general tenor of its articles is biassed towards
- the more traditionalist approach to magic and the majority of
- essays may well be considered to be somewhat pedestrian, as
- magazines generally go; but then again never before (or after)
- has Western magic produced such a treasure house of knowledge
- surpassing even Aleister Crowley's famous *Equinox* in scope,
- practicability and diversity. There is many a pearl of wisdom to
- be found here for anyone interested in the conventional mode of
- magic, and it is to be hoped that some American or English
- publisher will be bold enought to take the risk of publishing it
- in translation one day.
- Nor where the *Blätter* the order's only publication. Well
- before the war Gregorius edited the magazine *Saturn Gnosis*,
- which was taken up again after the FS's post-war reconstitution
- and is still being published on an irregular basis; other
- magazines included *Vita-Gnosis* and *Der magische Weg* ("The
- Magical Path"). However, these periodicals were strictly
- promulgated for members only and are very hard (and costly!) to
- come by for outsiders.
- Today, order membership has decreased considerably compared
- with the fifties, but this is not, as one might suppose, due to
- lack of interest. On the contrary: while fluctuation in the
- order's purported heyday used to be exorbitant (appr. 50% per
- year!), it has been reduced to almost nil now due to its rigid
- initiation policy. For unlike the O.T.O., the FS is not obliged
- by its own constitution to accept any candidate willing (or
- purporting) to give it a try. Consequently, only very few
- applicants ever make it into the order's august ranks, and it is
- safe to say that the Fraternitas Saturni still constitutes the
- paragon of traditionalist, conventional magic in the German
- speaking world of today.
-
-
-
- However, magic comes in many masks. Especially the younger
- generation amongst today's magicians has lost interest in the
- dogmatic and traditionalist approach or is, at least, striving to
- incorporate more modern techniques and beliefs as well. This is
- mainly the doing of what I have named the "Bonn Group" of
- magicians operating between 1979 to 1981 in a formal framework
- and individually actively contributing to the advancement of
- magical theory and practice ever since.
- When I founded the Horus Bookshop with two partners in Bonn,
- in 1979, the current wave of esotericism had not quite begun yet,
- and while interest in the occult arts was undeniably mounting,
- business then was sluggish enough to provide ample time for other
- activities. Thus, a group of some fourteen people (male and
- female) interested in practical magic assembled in the bookshop's
- backroom every other week or so to constitute what was
- tentatively termed the "Working Group for Experimental Magic".
- Most of us were then still studying at university (as did I
- beside my career as a not yet quite successful entrepreneur in
- the book business), and quite a few have later finished their
- academic studies with doctorates or masters' theses in various
- fields running from Physics to Comparative Literature, from
- Indology via German and English Literature to Comparative
- Religious Studies, Medicine, Psychology and Social Studies; while
- the tiny minority of our professional people were all working in
- the medical field. Thus, intellectual standards were pretty high
- even by the academic yardstick and a wide reading knowledge could
- be relied upon.
- A few members where well worn experts of some ten years'
- standing, some, such as myself, had only begun to work on
- practical magic proper about a year or so before, complete
- beginners being only few. Our group convened primarily for
- practical work in various traditions covering a broad spectrum
- ranging from Franz Bardon's system via the Golden Dawn,
- Freemasonism and Kabbalism to Crowleyan, Tibetan, Voodoo, Wiccan,
- neopagan and shamanic techniques. Experiments included telepathy,
- hypnosis, astral travel, kabbalistic path workings, rune magic,
- tarot readings, sigil magic, the use of astrology for practical
- magic and rituals, rituals, rituals. Rituals indoors, rituals
- outdoors, rituals in caves and basements in the woods and in the
- living room (only a few could afford their own temple rooms then,
- and these were usually too small to encompass us all), rituals
- for love and for healing, for death and for smiting foes, for fun
- and profit, rituals with drugs and without, and lots of rituals
- just to gain experience or for the pure, uninhibited heck of it.
- In addition to our regular meetings practical research was
- augmented by additional work on a more individual basis or in
- smaller groups which gladly reported on their results and
- discussed new and old approaches towards the Black Arts. Topics
- thrashed out covered physics and Thelema, trance techniques and
- sigil magic, Crowley and Gurdjieff, the pro and cons of
- hallucinogenics in ritual, the psychological rationale behind
- analogies and correspondences, behind the synchronicities of
- oracle readings from tarot cards to horoscopes (most of us
- sporting a strong Jungian bias at that time), sex magic, and a
- pile of others - far too many to list here. Most important was
- our basic tenet, "if it works, use it; if it doesn't work, don't
- believe it", which made all the difference when compared to the
- more dogmatic, cramped and inhibited approach to be noted in
- traditional magical orders, of whom none of us was a member then.
- Yet, it was not so much the existence or the practical and
- theoretical work of the Bonn Group as such but rather the
- publicistic impetus it created, which came to be responsible for
- the German magical scene as we know it today. While formal
- meetings had been abandoned by 1982, a few members having moved,
- lost interest or concentrated on more eremitical work, a hard
- core of some ten people continued to work together casually in a
- different format, and it was at my instigation that Jörg Wichmann
- (a former Wiccan) began to publish the now almost legendary
- *Unicorn* magazine in the same year, which concentrated on
- mythology and practical magic on a quarterly basis.
- Granted that *Unicorn* was never a commercial success, it
- wasn't quite a loss making venture either. It was right here, in
- the very first issue, that I formulated the basic tenets of what
- I termed "Pragmatic Magic" in contrast to "Dogmatic Magic".
- Having been influenced, as had been all members of the Bonn Group
- sooner or later, by the English and American authors of the
- seventies (notably Regardie, Conway, Butler, Skinner, King, Grant
- plus the only then rediscovered Austin Osman Spare), and based on
- our own varied practical experiences with all sorts of creeds and
- techniques, it was not hard to propagate a pragmatic spirit.
- This, however, had been totally unheard of until then in the
- conventional magical scene of the German speaking countries
- (embracing, let us not forget, some 74 million people then and
- appr. 90 million people today, after German reunification). It is
- no exaggeration to say that we virtually *created* the German
- magical scene. For while of course lots of people all over the
- country had been working in more or less splendid isolation
- before, it was only now that the thread had been put in the brine
- for a real scene to crystallize. Though the lion's share of
- published material was covered by members of the Bonn Group such
- as Jörg Wichmann, the editor-in-chief, myself, Peter Ellert,
- Harry Eilenstein and Mahamudra, *Unicorn* was able to gain the
- favour of a number of internationally renowned high calibre
- authors as well, in spite of the fact that articles were
- remunerated only symbolically. Moreover, many leading figures in
- the magical and fringe-magical scene such as Alex Sanders, Michael
- Harner and Harley Swiftdeer were presented in comprehensive
- interviews in the mag, thus exerting a notable influence by way
- of popularizing their teachings.
- The magazine lasted for three happy years until it ceased
- publication in 1985 after 13 issues. Readers' participation and
- loyalty to the mag turned out to be unusually high - which again
- paved the way to its successor, *Anubis*, founded, edited and
- published by myself at the end of 1985 and handed over to another
- editor-cum-publisher the following year. This magazine is still
- extant albeit in a more sporadic publication mode and has put out
- 15 issues to date.
-
-
- It may be regarded as characteristic for the evolution of a
- magical scene that I was able to introduce a column titled
- "Golems Gossen Glosse" ("Golem's Gutter Glossings") much on the
- same line as the British *Lamp of Thoth*'s column "Golem's
- Gossip" - right from the very first issue of *Anubis* for there
- would have been hardly any point in trying to report on
- internecine affairs without the appropriate social foundation for
- such gossip, i.e. a scene lively, colorful and diversified enough
- to supply the necessary information and interested in it as well.
- Golem's Glossing soon became the mag's most popular column, and
- while I myself am no contributor to the now Vienna based *Anubis*
- any longer, the continued existence of this periodical goes to
- show that the German magical scene has matured enough to compete
- with the - nowadays far less - picturesque setup in the U.K.
- (which used to be *the* prime benchmark for comparison well into
- the eighties).
- Thus, the "Bonn Group" may well be viewed as the instigator
- and nucleus of the modern German magical scene in the eighties.
- The influence of the Magical Pact of the Illuminates of
- Thanateros (IOT) and of Chaos Magic will be covered at some
- length in the next Letter from Germany, so before I end this
- instalment I would like to give a short summary of Wicca and
- Paganism in the German speaking world today.
- Wicca, at least in its formalized aspects (schools,
- traditions &c.), being a strictly English phenomenon from its
- inception, it is not surprising that the German Wicca scene has
- done little but imitate its compeers in the British Isles.
- Contacts with the U.K. were and still are pretty strong, but it
- is a moot point whether the majority of German speaking Wiccans
- are adherents of the Gardnerian or rather the Alexandrian school.
- My impression is that these distinctions, hotly debated though
- they were in the England of the seventies and early eighties,
- have been watered down on the Continent, while there is hardly
- any "hereditary" scene worth mentioning at all. If German pagans
- do pretend to being "hereditary" (whatever such claims may be
- worth), they are usually on the ariosophic or runelore side and
- not involved in the craft.
- German Wicca used to be strictly a closed shop affair
- dominated by cliqueish squabbles and infights, until the well
- known Hamburg based lady journalist Gisela Graichen published a
- bestselling hardcover, *Die neuen Hexen. Gespräche mit Hexen*
- ("The New Witches. Conversations with Witches") in 1986, in which
- she claimed (albeit misguidedly) that there were some 20,000
- active Wiccans in Germany alone, while 200 would then have been a
- more realistic figure.
- Little did she fathom that the handful of people she had
- interviewed constituted about half of the then active and
- articulate Wiccan set in Germany. However, facts published
- commonly being regarded as facts true, (paradoxically
- *especially* by the publishing profession, who should really know
- better, strange as this may sound to the layman), other German
- publishers took her at face value and felt attracted by this
- seemingly vast and expanding market. Thus bookshops were suddenly
- inundated with literature on the topic in the following year or
- two and witchcraft became the dernier cri with those mainstream
- people who were either totally new to the occult or had only been
- dabbling with it on the fringe.
- While not a Wiccan myself, I, too, was instrumental in
- getting an anonymous paperback on the cult published in 1987 with
- one of Germany's major paperback and mass market publishers, a
- minor bestseller which was to give some spunk to the hitherto
- somewhat parochial, simplicistic Wiccan scene, reducing the
- strong goddess-bias in favor of a more balanced approach
- *including* the male element on an "equal rights" basis, giving
- hints on magazines to read and modes of contacting covens: *Das
- Hexenbuch. Authentische Texte moderner Hexen zu Geschichte, Magie
- und Mythos des alten Weges* ("The Witches' Book. Authentic Texts
- by Modern Witches on History, Magic and Myth of the Ancient Way";
- now out of print).
- It was also during this post-feminist era that museum
- exhibitions centering on witches, traditional herbal medicine and
- "Wise Women" began to crop up like mushrooms overnight in all
- three German speaking countries, especially so in holiday
- resorts, as if sponsored by various Boards of Tourism ... and a
- Wiccan biassed German magazine like *Mescalito* gained hordes of
- new subscribers attracted by the boom. Today, interest in the
- craft has waned again like the moon, but it is anybody's guess
- how many people have really stuck to their guns and would
- consider themselves to be active Wiccans.
- As in other countries, most contemporary German adherents of
- pagan ideals are primarily concerned with ecological and ethnic
- issues, tending to opt for Green politics, and the majority are
- certainly suckers for the Gaia hypothesis and Rupert Sheldrake's
- once so popular, rather overestimated "theory" of morphic fields
- (which he himself seems basically to have renounced in the
- meantime). But these fairly simple doctrines seem to represent
- the acme of intellectuality within this scene already. Both, the
- Wicca cult and neopaganism in general, being primarily of an
- avowedly *religious* nature, they do not tend to develop original
- magical theories and practices of their own and may thus be
- fairly disregarded in a history of magic proper. Their influx on
- modern magic has been negligible, not to be compared with the
- influence of neoshamanism as presented by popular American
- workshop speakers, the most notable amongst whom have certainly
- been Don Eduardo Calderon Palomino from Peru and Alberto Villoldo
- and Michael Harner from the USA.
-
- ==================================================================
-
- *In the next Letters from Germany:*
-
- * "Edition Magus" and the German Magical Revival * "Germanic
- Chaos": a moot look at the IOT and Chaoism * Ludwig Staudenmaier:
- an early pioneer who demanded chairs for experimental magic at
- German universities during the Kaiserreich * Aleister Crowley in
- Germany * Ariosophism and Nazi Occultism: some basic
- misapprehensions cleared * Runic lore in Germany yesterday and
- today * early American influences on the O.T.O. * "Vorsprung
- durch Technik": Computer Magic made in Germany * the magician as
- a cyber punk: Cyber Magic * Clan Animals: an Afro-Austro-German
- neo-tradition * the Eastern Diaspora: magic after reunification *
- the European conflict: "Ice Magic" or The Might of Cold versus
- Bourgeois Boy Scout Idylls * "Ever-glowing embers": the Witch
- Hunt is still on &c.
-
- ---
- * Origin: ChaosBox: Nothing is true -> all is permitted... (2:243/2)
-
-